Past Exhibition

Future Girl.

Tūrei 16 Hune -
Hātarei 11 Hūrae

Tuesday 16 June -
Saturday 11 July

2009

Image: Anya Sinclair, Future Girl, papier-mâché, wire, acrylic and glitter, 2009. 

Image: Anya Sinclair, Future Girl, papier-mâché, wire, acrylic and glitter, 2009. 

Anya Sinclair's Future Girl aims to shape a private universe by consciously investing and indulging in her desire to escape into fantasy. 

Anya Sinclair's Future Girl is a sculptural rendering of sterile cyber-space, abstracted and distilled from nature, constructed by Future Girl a cyborg bishōjo (heroine) programmed to create immersive phantasmagorical landscapes. Future Girl aims to shape a private universe by consciously investing and indulging in her desire to escape into fantasy. By inviting viewers into her private world she references the shared consumption and creation of artificial virtual environments through mediums such as the Internet and multi-player computer games. Her work takes issue with the evolving sophistication of alternative realities that increasingly premise virtual experience over physical reality. 

In association with Future Girl Blue Oyster will be running the second in a series of educational workshops. This drawing workshop will work with students as they construct their own fantasy landscapes through various drawing techniques. Workshops will be held on Thurs 18, Tues 23, Thurs 25, Tues 30 of June and Thurs 2 July from 12:30pm. Participation is free and available to school groups from any year.

Presented alongside Islands You and Me – A Second and a Lifetime & Tales of Interior Logic. Hofko, Sinclair and Ibell explore the construction of imagined realities as a way to interrogate issues arising in everyday life, through the way belief systems, fears and desires are revealed in the content of fantasies. 

Blue Oyster Discussion Session 2: Wednesday 8 July, 5:30pm

Taking cue from current exhibitions that utilise fantasy and the construction of other worlds, a discussion around indulgence, pleasure and fun in contemporary art. How do we address the paradox of an art that critiques the very thing it indulges in? Where are we now at in our understanding of the role of pleasure in politics and power relationships? What is the role of pleasure in the construction of identity and identity politics? Anna Paris, PhD candidate, Department of Gender Studies, Otago University will joins us to explore these questions.

“Pleasure is the only thing worth having a theory about.” - Oscar Wilde

Video: Documentation of Markus Hofko, Anya Sinclair & Alan Ibell's exhibitions, Installation View, 2009.