Whakawhanaukataka
Jess Nicholson
2nd November - 7th December
2024
The calm wind shapes the boat
Susu
25th October - 24th November
2024
Drawn to see(a)
Rozana Lee
21st September - 26th October
2024
Ko rawaka/Everything we need
Emily Clemett, Ana Hislop & Emma Hislop
10th August - 14th September
2024
A fire that blackened the rocks
Conor Clarke, Eleanor Cooper & Kate Te Ao
3rd August - 19th September
2024
4 HIRE
Jimmy Ma'ia'i
22nd June - 3rd August
2024
Maximum Potential NOW
Samantha Cheng, Matt Joils & Sophie Sutherland
20th April - 8th June
2024
SHOP

All

Whorl
Stacy Cooper & Ava Trevella
2nd March - 13th April
2024
Soda ash
Ed Ritchie
16th December - 24th February
2024
SKY WORLD 2049
Joshua Harris-Harding
27th November - 17th December
2023
Araam
Quishile Charan
4th November - 9th December
2023
Ngā raraunga o te Mākū: te hā o Haupapa
Ron Bull, Stefan Marks, Janine Randerson, Rachel Shearer & Heather Purdie
15th September - 28th October
2023
Like water by water
Carol Anne Bauer, Dilohana Lekamge, Fiona Pardington & Suji Park
12th August - 3rd September
2023
Osmologies
Jo Burzynska
22nd July - 2nd September
2023
FOLLOW
Ka kore, Kua kore
Aidan Taira Geraghty & Moewai Marsh
10th June - 15th July
2023
Pieces Spaces Species
Yana Dombrowsky-M’Baye, Lucy Hill & Taarn Scott
22nd April - 27th May
2023
The Blue Oyster Artist Run Gym
Anna-Marie Mirfin, E-Kare, Harrison Freeth & Samantha Mitchell
25th February - 15th April
2023
toko by and by
Madison Kelly
10th December - 18th February
2023
The Company
Sam Clague
29th October - 3rd December
2022
Can you here me?
Dulce Lamarca
23rd May - 23rd May
2022
Kia ora Whaea
Caitlin Rose Donnelly, Kate Stevens West, Alix Ashworth & Emma Kitson
17th September - 22nd October
2022
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Past Exhibition

The Idiot Who Lost the War.

Tūrei 9 -
Hātarei 20
Mei

Tuesday 9 -
Saturday 20
May

2000

A mixed media installation by Michael Morley titled The Idiot Who Lost the War.

Morely is a Dunedin based contemporary mixed media artist, who pushes the boundaries of how painting is constructed and viewed. Morely often uses parody to reference New Zealand artists to develop a new insight to how audiences view contemporary art. Morely has received international status for his experimental musical scores and applies this skill to his exhibitions, using medium of sound installation to offer a further dimension to his work, he twists concepts and pushes the work back onto the viewer.