Upcoming Exhibition

He Hokinga Mahara. Melanie Tangaere Baldwin & Georgina May Young

Paraire 25 Hūrae -
Hātarei 6 Hepetema

Friday 25 July -
Saturday 6 September

2025

Melanie Tangaere Baldwin, Ahikāroa! (detail), Mixed media installation, custom LED, hand and machine sewn textile, manipulated digital video, 2025. Courtesy of the artist

Melanie Tangaere Baldwin, Ahikāroa! (detail), Mixed media installation, custom LED, hand and machine sewn textile, manipulated digital video, 2025. Courtesy of the artist

Opening: Thursday, July 24 5:30pm. All welcome!

What does it mean to be connected to whenua, to our whakapapa, to our tūpuna?

What is important to carry, protect and nurture for the future?

What does this require of us? What are our obligations, what are the obligations of our children?

We are all connected. We are Te Taiao.

What does it actually mean to keep the home fires burning?

He Hokinga Mahara is grounded in values of maanakitaka, whanaukataka, commitment, belonging, laughter and love. It brings together artworks from Melanie Tangaere Baldwin and Georgina May Young made in dialogue with each other, their whānau, atua, ancestors and pūrakau. Taking their lived experiences of society and the world as it is today, both artists reimagine and dream of new futures, while looking to examples of adaptability and transformation held by the past.

 

Melanie Tangaere Baldwin

Melanie Tangaere Baldwin (Ngāti Porou) is a māmā, artist and curator based in Tūranganui-a-Kiwa Gisborne. Melanie’s work is largely focused on Mana Wāhine, Indigenous and marginalised peoples, and the effects of capitalism, imperialism and settler colonialism on notions of power, visibility, beauty and worth. Her mahi consistently considers the necessity and obligations of connection, whānau and community. A lot of the time she is just trying to make sense of the world.

Georgina May Young

Georgina May Young (Te Ūpokorehe, Te Whakatōhea, Pākehā) was born in Ōpōtiki and is now based in Ōtepoti. Young constructs realms layer by layer in celebration of Te Taiao. A gardener, mother and textile artist, her work moves within whakapapa, cosmic kinship and the memories held in whenua, moana and the stars—tracing ancestral knowledge and potential imagined futures. Rooted in daily ritual and a slow life, her practice rejects capitalist excess in favor of deep connection—honoring process, reciprocity and the mauri of materials. Her works feel as though they belong to an ancient civilization—carried close, found on a hillside, or unearthed from the mud.